Xenophobia Why?

Report

vSpy vSpy's timely release during the Australian Bicentenary year of white-mans habitation of the island: Terra Australis. This album contains some poignant tunes that were relevant to the changing times in Australia & the world. This album was recorded at Rhinoceros studios in Surry Hills, Sydney, with Les Karski & David Hemmings on the control board. The band was at it's height in popularity in Australia and the strong themes in this record were taken on the road internationally for the first time after it's release. The night of it's final mix at the studio, Les and I went on an infamous all-night drinking session with took us to the Balmain "early openers" for breakfast of eggs, beer & vodka. We eventually found ourselves at the British Lion in Glebe about 11 am still drinking, and Les fell asleep on the bar. This was back in the days where sleeping on the bar was tolerated so to avoid his beer from getting warm while he dozed, I helped him out by drinking it down. Les awoke not long afterwards and accusing me of stealing his beer: tried to punch me in the head. As luck would have it, my girlfriend at the time entered the pub at that very moment after searching for us all night long and saved me from Les' fists buy pulling me safely into the street. Once outside, she berated me with justifiable abuse for being a dirty, drunken goose until I sat down, pissed & despondent in the gutter whereupon I decided to lay down and sleep where it was "nice and cool". So there I lay in the gutter, drunk & incoherent at the completion of our poignant and challenging 3rd vSpy vSpy album Xenophobia Why?. And that's the truth so help me God. Craig Bloxom.

Aside from Midnight Oil, vSpy vSpy are arguably one of Australia's most politically-oriented rock bands. While Midnight Oil's politics were those of conscience, vSpy vSpy were outspoken representatives of The Street. Primarily they started out as the voice of the homeless squatters of early eighties Sydney, but their songs spoke for everyone who felt under the thumb of The System. They told true stories of common struggle that polite Australia didn't necessarily want to be hear. The original group came from separate corners of the world. Guitarist Mike Weiley arrived in Sydney from London and almost immediately found a soul-mate at Nelson Bay High School in would-be bassist/singer Craig Bloxom. American Craig had studied in Alaska for a time, but arrived in NSW in his teens via WA. The group's token Australian, drummer Cliff Grigg arrived in Sydney from the Armidale NSW, and settled in an inner suburban squat in Glebe that didn't even have a roof when he first moved in.

From the day they met at high school Mike and Craig had talked about music and in around 1980 started talking about forming a band together. Cliff heard about it though mutual friends and vSpy vSpy was born. To save on rent and keep from having to find day jobs Mike and Craig moved into Cliff's squat. They took the name from a regular strip in Mad magazine. Living in a squat had other advantages. They were able to rehearse almost every day. One day they received a call from the Sussex Hotel asking them to fill in for a band who couldn't make it, and vSpy vSpy performed their first gig. In the beginning their music style was dominated by the ska sound popular in inner Sydney pubs at the time.

A year into their life the band recorded its first single. Michael Hutchence of INXS offered to produce, but they turned him down. The single 'Do What You Say' was followed by an EP, 'Four Fresh Lemons', both recorded for friends on an independent label, Green. The EP's original pressing was a limited release of 1000 copies. They sold out in 5 days. But the band expected something else to happen, and broke up shortly afterwards. It took just a few months to realize that vSpy vSpy was more fun than the bands they were now playing with, so the Spy's reconvened in July 1983 with second guitarist Marcus Phelan. The ska had been dropped for a more straight-ahead rock attack.

In 1983 Weiley became sick with hepatitis and confined to a hospital bed for a considerable time. Their equipment was stolen. Phelan left. Things changed with the help of Midnight Oil's Peter Garrett, who'd become a fan and would attend every performance he could. Now called vSpy vSpy to avoid legal action from Mad magazine (they were previously Spy vs Spy), the group acquired Midnight Oil's manager Gary Morris and released the mini-album 'Meat Us Inside' and its single 'One Of A Kind'. Their first album 'Harry's Reasons' contained the singles 'Injustice' (about the Aboriginal struggle) 'Something' (directed at the media) and the title track, dealing with a friend's misuse of heroin. Harry was a euphemism for the drug.

For their next album vSpy vSpy moved from Midnight Oil's Powderworks label to WEA. This album, 'A.O. Mod. TV Vers.' (standing for Adult Oriented Modified TV Version), contained their "hit" record 'Don't Tear It Down', a plea to the developers bulldozing historic Sydney, and a ode to the scourge of the day, 'Credit Cards'. 'A.O. Mod. TV Vers.' earned vSpy vSpy a platinum record. Without warning, the record company demanded a new album, and within six weeks the band wrote and recorded 'Xenophobia (Why?)'. The title was inspired by the mood around Australia's Bicentennial year, but the messages in the songs were universal enough to see the album released in 14 other countries. 1989's 'Trash The Planet' was recorded in England at Richard Branson's Manor House studios. Branson kept Irish Wolfhounds as pets at the Manor, one of which savagely attacked Craig.

Cliff Grigg was desperately unhappy with his drums sound on that album. His departure from the band at the end of 1991 led to a year's absence from live performances. Mike and Craig took the opportunity to move to Queensland and went through a period of search and trial of new drummers until their support of a best of collection in June 1992 saw the group's return, with Mark Cuffe on drums. In 1983 the vSpy vSpy signed a new contract with Sony, and released 'Fossil', written in the studio in 1994.

In 1995 the band traveled to Brazil to follow-up on a strong fan base established there through the surfing community. Mike stayed behind, while back in Australia, Cliff Bloxom and Mark Cuffe teamed up with Icehouse house Paul Wheeler to form a new group, the Shock Poets, allowing Cuffe to leave the drums for the microphone. More Brazil tours followed, and the two groups existed concurrently. In 1997 Mark left to dedicate himself to Shock Poets (he'd never quite fit in) while Craig left that group to dedicate himself to vSpy vSpy. Paul Wheeler was named as vSpy vSpy's new drummer.

Mike Weiley & Mark Cuffe (on lead vocals) keep touring as “Spys Inc.” playing all the old hits and some new material with a new Australian rhythm section. Craig Bloxom has left the band and is living in Mexico, working as a professional chef. Spys music lives on through these albums, mostly unavailable except online through fans and the magic of the internet.

Production

Artist: vSpy vSpy

Producer: Lezsek Karski

Writer: vSpy vSpy

Categories

Categories: Alternative , Rock , International / Reggae

Tags: australian rock

Help us keep Vuze open and free We’d like you to help us by being the eyes and ears of the Vuze community. If you come across content you consider to be inappropriate, or in violation of the original copyright owner’s rights, please let us know by clicking the Report button above. Learn more. View the complete Terms of Service.